Jeff Pflaumbaum: Press

The Wings of Fire Orchestra is like nothing I’ve heard for at least the past two decades. I am impressed on so many levels, not sure where to start. This album is like a pizza with the works. Blending classic symphonic elements with a rock & roll drive, a funky, booty-shakin’ groove and building it around a concept, The Wings of Fire Orchestra has succeeded with Prospice and have certainly gained a new fan here.

As I listen to the tracks, I keep thinking of all of those that came before and how the WoFO have clearly learned a thing or two from some of our legendary music pioneers. A complex web of influence has made fertile soil for composer Jeff Pflaumbaum in the growth of his original, very unique, colorful work. Freddie Mercury would be proud, I can feel his spirit in this music and the way this project stretches its wings in an all encompassing way. I hear colors of Pink Floyd, The Grateful Dead and maybe a sprinkle of Phish bringing the listener plenty of crunchy texture to satisfy.

Creeping along conjuring images of the west side’s Sharks & Jets, tracks like "Delta Street" brought to mind a stage full of streetwise thugs on Broadway whose passion lies in spontaneous, campy group dancing with plenty of high kicks and drama. I suppose the use of the choral singing elements throughout the album do much to nurture visions of a large theater ensemble cast.

This is not music that sits comfortably in the corner tucked behind conversations and chatter. It demands attention and plays itself out as a full stage production behind the eyes. My wish is that Jeff Pflaumbaum gets the recognition he deserves and a spot in music history that he is etching with his skillful composition and production of this amazing piece of conceptual candy.

Intent to keep my opinions unfettered and pure, I knew nothing about this CD until I slipped it into the player. What a fun and unexpected surprise I found in Prospice. I have the feeling that I will love it even more with each play. I’d listen to this, turned up to drown out the rhythm of the road on my next road trip till I learn the words by heart. Someday, I would just love to see this played out as a full stage production, complete with sets and costume and choreography. I’d raise my glass and propose a toast to the entire cast of characters and sounds that make up the Wings of Fire Orchestra. I’ll bring the whiskey. Bravo WoFo!

15. The Wings of Fire Orchestra, Bullfighter Ballet, 2006

Ironic jazz-pop, kind of like Steely Dan meets Dave Matthews meets Cake meets New York Voices, with a horn section to boot—I mean, a big-band orchestra! Almost like show music, especially when events happen like a chorus of girls asking “Can you tell the difference between a genius and an idiot from far away,” just before a “quarterback” yells “hike” (there’s a “college life” theme to the album) it’s playful and original, unlike anything out there. The band jams hard too. The musicianship is first-rate.

As with Cake, there’s more winky irony here, and less seriousness about the songs’ subject matter, than suits our taste. But also like Cake, there’s no doubting the intelligence of the creators. And unlike Cake, there’s more impressive live musicianship here.

There is, actually, a jazz classic-style love ballad on the album, and it’s gorgeous. Go figure. Afterwards, it’s back to funky weirdness.

This project comes completely out of left field, but there’s a huge amount of work and talent here. A vision unlike anything you’ve heard.

Here’s a strange conclusion: it’s not really intelligent pop. It’s not even pop. It’s some kind of avant-garde jazz fusion experiment. If we were “avant-gardepopexperiments.com” it would be #1. Can you tell words are failing me in my attempt to make sense of this record? The closest I can come is that it’s the jazz-fusion Cake.

But it makes the top 20 because, actually, it’s flat amazing.

Therefore, recommended. Strongly, actually. Somebody out there has to push the edge, and Pflaumbaum and colleagues are doing it in a musically sophisticated way. Get it and see if you can make some sense of this strange offering. Highly recommended for exploration. And will someone tell us who these guys are?

Even for a guy like me, who has heard his share of musical variety over the years, nothing else has come along quite like Bullfighter Ballet by The Wings of Fire Orchestra. This concept album, inspired by Thomas Wolfe’s novel Look Homeward Angel, is performed by 20 students and alumni from the prestigious Berklee College of Music.

Jeff Pflaumbaum, who sings lead vocals and plays keyboards, composed and arranged this unique suite. It is divided into three acts: I & II the Bullfighter Ballet and III Factoryland. It sounds like horn-drenched soul music one minute and an arty musical the next, keeping you on the edge of your seat.

This CD opens with a Mexican-sounding fanfare, with trumpet blaring over acoustic guitar, for a track titled “Welcome to the Show.” This one is followed up with “C Town,” which is all about life in Chicago. “C Town” rolls with funky horns like it’s a Tower Of Power leftover. Pflaumbaum vacillates back and forth with wide ranging musical emotions throughout.

Bullfighter Ballet is an ambitious work. It’s especially meant for those who appreciate the education and skill - the exact sort learned at Berklee College - it took to make it all happen. It isn’t for everybody, but if you truly get it, you’ll absolutely dig it.

The Wings of Fire Orchestra is Americaís self-proclaimed largest rock orchestra, and Bullfighter Ballet is their debut studio recording. The band hails from Boston, MA, featuring over 20 alumni and students from the prestigious Berklee College of Music, including a guest appearance by Berklee president Roger Brown. The album is meant to be an interpretation of the Thomas Wolfe novel, Look Homeward Angel, about a young manís desire to leave his hometown in search of better and brighter futures. There are three acts, ìThe Bullfighterís Ballet I&IIî and ìFactorylandî, each addressing a theme accompanied by dialogue, both spoken and sung.

The album opens up with a Spanish trumpet solo fitting for a bullfighterís arena. This leads into ìC-townî, a funky tune where the vocal melody is accompanied by the 6-horn section as well as a female vocal trio. The rhythm section maintains a solid, danceable groove throughout. The character of the opera is introduced more in the next few tracks, a young football player going off to college. The music is accompanied by announcersí voices, cheerleaders, coachesí whistles and spoken dialogue. All the while the rhythm section subtly changes the groove with each new theme. The horns provide powerful, punctuated interjections, while the vocal trio lends a lighter, more lyrical voice to the mix. The occasional scream trumpet will also keep you on your toes.

ìFactorylandî is somewhat separate from the rest of the album thematically, dealing with a new set of characters that all work in a factory. Slightly less funky than ìBullfighterî, it has a very straight-ahead feel done in more of a big band style, often with some Latin undertones. The overall sound is incredibly powerful, full-bodied and lyrical. (Some of the lyrics remind me of a Charlie Chaplin film called Modern Times)

In a musical sense, the album rocks. Every tune is tight, well played and entirely danceable. The solos are all amazingly well done, especially the trumpet work. The lyrics then add a whole new level of expression and interpretations. This reviewer certainly wonít attempt to define the meaning behind this work, but that may be the best thing about this album: it can be heard on several different levels. Besides being enjoyable to listen to, it could also be a great piece of social criticism. Youíll just have to listen to it and decide for yourself though.